…therapy, and before tonight’s “Slidefest” an event which I had to curate this week because I had kept putting it off. Thank goodness I know some very patient artists who consented to come and present work tonight. Otherwise things would be looking pretty pathetic. In the 45 minutes of downtime, I’ve knocked out a drawing of a sinister stuffed rabbit for a benefit action that someone approached me about yesterday. They’re supposed to come pick it up any minute. I truly have to stop saying yes to everything because I can feel myself becoming more and more stressed out. The back twinges, acid reflux, and little bouts of binge spending like the one I just went on at the Strand and where I purchased:
A Taschen Book on Velasquez
Another Taschen book (icons series) on Indian Street Graphics
Waiting for Food #3, an R.Crumb placemat drawing collection
Drawing in England from Hilliard to Hogarth
The Acme Novelty Date Book, a collection of Chris Ware’s notebook sketches
America’s First Dynasty – The Adamses 1735-1918
Then I went by Barnes and Noble on Union Square, because I had a real hankering for The Education of Henry Adams, and also my friend Carl Frano might be working there. He was, and on the way out I saw that Amphigorey Also had been marked down to $10 so of course I had to pick that up too.
Meanwhile I sit at home and come to tears over the boxes of books in my apartment and how I can’t get way from them.
Well I have a long history of self medicating through shopping, and the ostensible justification for this particular binge was that I had just deposited a wholly unexpected check from my NY gallery. All of these images feed the work in some way, or would if I gave myself the time to do it. Sitting with the pencils in hand to make this benefit drawing felt very, very good. and it’s always reassuring to see that “I’ve still got it” hand/eye wise. But sometimes it’s thin broth.
Much of therapy was spent talking about the trip to SF and I found myself trying to articulate what I’m feeling about LJ right now, its odd mixes of intimacy and self presentation, especially when the mix includes real world contact.
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